Kina tier fortsatt om Kulturrevolusjonen

Hans Rustad

Kul­tur­re­vo­lu­sjo­nens for­bry­tel­ser er fort­satt et ikke-tema i Kina. Til tross for at nes­ten hver eneste fami­lie ble berørt.

I Russ­land sver­mer man igjen for Sta­lin. Så langt har det ikke gått i Kina, men man sky­ver opp­gjø­ret med for­ti­den foran seg:

HOward W. French fra Nyti­mes fant frem til en utstil­ling over Kul­tur­re­vo­lu­sjo­nen, opp­ret­tet på pri­vat ini­tia­tiv. De besø­kende later som om de bare er på utflukt, og på direkte spørs­mål sva­rer folk at “all land begår feil”.

Det er ikke bare Kina som burde ta et opp­gjør med Kul­tur­re­vo­lu­sjo­nen. Det er liten kunn­skap om dette tiåret også på våre bredde­gra­der. Liten erkjen­nelse av hvil­ken for­bry­telse Kul­tur­re­vo­lu­sjo­nen var. Frem­de­les bader den i skin­net av røde­gar­dis­te­nes glød. les: fanatisme.

China’s decade-long descent into mad­ness, begin­ning in the mid-1960’s.

There is Mao swim­ming in the Yangtze River in 1966, giving a bra­vura demon­stra­tion of his vigor at age 72, and a false sign of hope to a coun­try almost reli­giously devoted to him. The weeks and mon­ths ahead would instead reveal that time to be the dawn of a new and ter­rible era, during which per­haps a half mil­lion people were kil­led, a few of whom are buried in these hills along­side the trails that lead to the exhibits.

Under hea­ven, all is chaos,” Mao wrote, announ­cing the era’s tone exul­tingly to his wife and co-instigator, Jiang Qing, in a let­ter quoted on anot­her tab­let. From that point, the slate panels func­tion almost like a news­reel as the events, ever more sen­se­less, unfold. There are the huge ral­lies in Bei­jing that August, where mil­lions of young people, inspi­red by Mao’s uto­pian ora­tory, waved their Little Red Books in fren­zied adu­la­tion as he spoke.

Jeg er ved nær­mere etter­tanke uenig med Kaj Ska­gen: det var ikke det at fol­kene i Østblok­ken ville ha kon­sum­va­rer og høy­ere leve­stan­dard som gjorde venstre­si­den depri­mert: det var at uto­pien hadde vist seg å være et feng­sel. Å ta et opp­gjør med denne løg­nen blir for tungt for de fleste.

I had to talk to 10 pub­lish­ing hou­ses before I could get my last novel pub­lis­hed,” said Ke Yunlu, a wri­ter who has focu­sed unre­len­tingly on the Cul­tural Revo­lu­tion. “In it, a group of stu­dents sto­ned their teacher to death, and after 10 years, when there is an investi­ga­tion, nobody admits any­thing. This is what his­tory is like in China: no sto­nes are ever thrown, but people are dying.”

Recently China has deman­ded that Japan face up to the bru­tal his­tory of its con­quest of this coun­try between 1937 and 1945, but for the Cul­tural Revo­lu­tion, not yet a gene­ra­tion into the past, the country’s archi­ves re2_kommentar clo­sed and aca­de­mic con­fe­ren­ces and semi­nars banned.

It is very unhealthy for a nation to for­get about its past,” said Zhang Xian­li­ang, one of China’s best known aut­hors, who was arrested at age 20 for a poem deemed coun­ter­re­vo­lu­tio­nary during anot­her period of ideo­lo­gical fer­vor, in the late-1950’s. He spent most of the Cul­tural Revo­lu­tion in labor camps. “Our his­tory and our memory are full of empty pages. We still can’t talk pub­licly about Mao’s cri­mes, but that day will come.”

Sce­nes From a Night­mare: A Shrine to the Mao­ist Chaos

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